https://exhibitions-khamir.org/leather daily 0.75 2016-02-10 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/569d15703b0be35eb45cbde8/1453135217671/Rohi+logo+final.png Leather https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/565184a7e4b0d031533daffd/1448220747485/ Leather https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5c22c8911ae6cf1d5ec050f7/1545783444920/IMG_9693.jpg Leather https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5c22ca7b40ec9a0a40ff3896/1545783935965/Team-background-6.jpg Leather https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5c22ca93f950b7fc7a99cc5d/1545783958963/Shoes-no-fade.jpg Leather https://exhibitions-khamir.org/advisors daily 0.75 2015-12-21 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56599155e4b09e2585533fbd/565c1c2ae4b04e8771152f74/1450683558360/Meera.png X Advisors - Meera Goradia Director, Khamir https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56599155e4b09e2585533fbd/565c286fe4b0acafe1280763/1450683581381/Sushma.png X Advisors - Sushma Iyengar Managing Trustee, Kutch Mahila Vikas Sangathan President, Khamir https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56599155e4b09e2585533fbd/565c1aeae4b09e258562af6a/1450683532133/Ghatit.png X Advisors - Ghatit Laheru Senior Program Manager, Khamir https://exhibitions-khamir.org/artisans daily 0.75 2015-12-01 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b3ae4b09e4f57a4e52e/1448959367219/alabhai%2C+khavda.png X Artisans - Alabhai Khavda https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b3ae4b0134bf7c90de2/1448959383256/arjunbhai%2C+bhirandiyara.png X Artisans - Arjunbhai Bhirandiyara https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b41e4b09e4f57a4e542/1448959416909/babubhai+jhala%2C+bhuj.png X Artisans - Banubhai Jhala Bhuj https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b42e4b0134bf7c90e2f/1448959427685/bhanuben%2C+bhuj.png X Artisans - Bhanuben Bhuj https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b49e4b0a2cd8c0db4d6/1448959437063/bhasarbhai%2C+hodka.png X Artisans - Bhasarbhai Hodka https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b4ae4b0134bf7c90e66/1448959447918/bheemubhai%2C+misariya+gaam.png X Artisans - Bheemubhai Misariya Gaam https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b53e4b0134bf7c90e85/1448959459352/bhojabhai%2C+rudramata.png X Artisans - Bhojabhai Rudramata https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b57e4b0a2cd8c0db521/1448959474341/ghurabhai%2C+manjibhai%2C+gauripar.png X Artisans - Ghurabhai, Manjibhai Gauripar https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b62e4b0134bf7c90edc/1448959503249/jamabhai+kara%2C+khavda.png X Artisans - Jamabhai Kara Khavda https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b64e4b0a2cd8c0db568/1448959511763/jemalbhai%2C+hodka.png X Artisans - Jemalbhai Hodka https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b6fe4b0a2cd8c0db59c/1448959527285/kumbabhai%2C+khavda.png X Artisans - Kumbabhai Khavda https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b6fe4b0134bf7c90f35/1448959538092/mangalbhai%2C+gandhinagaam.png X Artisans - Mangalbhai Gandhinagaam https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b7de4b0a2cd8c0db5cd/1448959546294/mangalbhai%2C+jura.png X Artisans - Mangalbhai Jura https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b7fe4b0134bf7c90f75/1448959556208/mayabhai%2C+dholavira.png X Artisans - Mayabhai Dholavira https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b84e4b09e4f57a4e680/1448959567000/meghabhai%2C+sikra.png X Artisans - Meghabhai Sikra https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b87e4b0134bf7c90f8f/1448960666697/najar+khetsinh+bhai%2C+nirona.png X Artisans - Najar Khetsinh bhai Nirona https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b92e4b0134bf7c90fcb/1448959591455/narayanbhai%2C+bhirandiyara.png X Artisans - Narayanbhai Bhirandiyara https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b93e4b09e4f57a4e6ad/1448959607511/pathubhai+and+aanchal+raichand%2C+sumrasar.png X Artisans - Pathubhai Sumrasar https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b99e4b0134bf7c90ff2/1448959619996/pathubhai+and+aanchal+raichand2%2C+sumrasar.png X Artisans - Aanchal Raichand Sumrasar https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5b9be4b09e4f57a4e6c4/1448959629231/ramjibhai%2C+khavda.png X Artisans - Ramjibhai Khavda https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5ba2e4b0134bf7c91026/1448959637349/ranabhai+vela%2C+hodka.png X Artisans - Ranabhai Vela Hodka https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5ba4e4b09e4f57a4e6e3/1448960636058/shankarbhai%2C+sumrasar.png X Artisans - Shankar bhai Sumrasar https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/565c31ebe4b06b23bf33d629/565d5ba9e4b0134bf7c9104f/1448959657512/trilokbhai%2C+praagpar.png X Artisans - Trilokbhai Praagpar https://exhibitions-khamir.org/curators daily 0.75 2016-01-18 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56598e91e4b04cd6ce91715b/56598eade4b0f06765f362e9/1450682875406/hyperakt_ambika_wdot-test2.png X Curators - Paresh Mangaliya Paresh has a keen interest in the arts & craft sector, and has been an integral part of the Khamir team since its inception in 2005. He currently holds the position of Design Manager. He has led coordination of research and documentation of the leather artisan communities of Kachchh for Rohi. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56598e91e4b04cd6ce91715b/56598eb8e4b0f06765f3630b/1450682916447/hyperakt_ambika_wdot-test2.png X Curators - Dipesh Buch Dipesh is a commerce graduate with extensive experience of working with artisan communities. With an interest in collecting stories of artisan lives, he has been a key mentor for the Rohi exhibition. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56598e91e4b04cd6ce91715b/56598eb3e4b0f06765f362fe/1450682957245/hyperakt_ambika_wdot-test2.png X Curators - Srishti Varma Srishti is a craft product designer and facilitator at Khamir. Her interest in craft cultures has led her to travel many parts of India to map and documenting handicraft stories. She has lived in Kachchh for 1.5 years, building on her specialization in hard goods. For Rohi, Srishti has led research on traditional leather products and techniques in Kachchh. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56598e91e4b04cd6ce91715b/56598ea8e4b0f06765f362de/1450683000129/hyperakt_ambika_wdot-test2.png X Curators - Niraj Dave Having completed a specialization in Ceramics at IICD, clay is the prime material of Niraj's work. Learning from this beautiful and easily moldable material, he has always been open to all new explorations in other crafts and materials as well. He has been at Khamir for the past two years. His research focus for the Rohi exhibition has been on techniques of leather making and tanning. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56598e91e4b04cd6ce91715b/56598e9ce4b0f06765f362bb/1453116190725/hyperakt_ambika_wdot-test2.png X Curators - Ambika Roos As an AIF Clinton Fellow, Ambika consults Khamir on their brand and digital communications. She developed the Rohi exhibition brand, graphic materials, and website. Prior to moving to Bhuj, Ambika was a design strategist in Brooklyn, where she helped leading humanitarian organizations share their stories. She has long been drawn to the handicrafts of India, and loves exploring the artistic expressions of Kachchh. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56598e91e4b04cd6ce91715b/56598ea2e4b0f06765f362d1/1450683039615/hyperakt_ambika_wdot-test2.png X Curators - Kasturi Gandhi Kasturi is a Mumbai-based filmmaker. She has been at Khamir for the last year, photographing the pastoral lifestyle of the Maldharis and archiving projects like recycled plastic weaving and blockprinting. For Rohi, she is creating a film on the leather artisans’ cultural evolution. Prior to moving to Bhuj, Kasturi worked for NABARD to film agricultural innovation across India. She is a passionate traveler, and is continually fascinated and inspired by rural India. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56598e91e4b04cd6ce91715b/56598ebee4b0f06765f36321/1453107053250/hyperakt_ambika_wdot-test2.png X Curators - Jyothirmayee Bommana Jyothirmayee Bommana, a young interior designer based in Bangalore feels that, “creativity arises from an intent vision and a flowering heart.” For Rohi, she created an illustrative space that highlights the leather artisans' passion for their craft. Her love for nature constantly aspires her in expressing through poetry, sketching and performance art. https://exhibitions-khamir.org/animal-decoration daily 0.75 2016-01-22 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a2143569492e98c1cb579a/1453462915260/DSC_0005.JPG X Animal Decoration - Ghoogra and Ghoogarmal Cattle herders decorated, and still decorate, their cattle with bells and beads. This was a reflection of their relationship with their animals. This leather collar with single metal bell was tied along the neck of a cow, bull or camel. A ghoogarmal had more bells. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a2143576d99cf8770ffed8/1453462947787/DSC_0007+copy.JPG X Animal Decoration - Nevar These braided bands were tied on the front ankles of camels as adornment by the camel herders of Banni and East Kachchh. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a2143d69492e98c1cb57c0/1453463007997/DSC_0015.JPG X Animal Decoration - Gudiya Camels were decorated in these eight-bell straps on the occasion of a wedding in a camel herder’s family in Banni. These alsoserved a sensory purpose as their sound helped to trace the whereabouts of the camel. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a21527841aba12ab7dc7d3/1453463239635/IMG_2505.jpg X Animal Decoration - Andhari This is like a face mask with elaborate bead work on a leather base. It was used by the camel herders in Banni to adorn their camels on special occasions. The patch of bead work is made by the woman in the family which is later laid out on leather and stitched by the leather artisan. Meghwar women are known for their intricate bead embroideries. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a2144469492e98c1cb57d9/1453463170089/IMG_2506.JPG X Animal Decoration - Gaani These were simple collars to adorn and fasten the animal in the semi-permanent shelters of herders or within the house premises. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a2143a69492e98c1cb57ae/1453463255634/DSC_0007.JPG X Animal Decoration - Maaloti Maaloti was a set of metal bells on a leather strap that was wrapped aroundboth hornsof a cow or bull and rested on the forehead. It was popular among the farming communities in the Bhachau region of Kachchh. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a2144676d99cf8770fff04/1453463225870/IMG_2508.JPG X Animal Decoration - Makhiyaro This features elaborate beadwork to cover the face of the horse. It is placed on the forehead and is used to adorn the horse on special occasions. Meghwar women are known for doing beautiful intricate bead work, so the product is a result of the combined work of both the women and men. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a2144869492e98c1cb57ea/1453463308129/Screen+Shot+2016-01-22+at+4.57.44+PM.png X Animal Decoration - Chhilmad Horse seat with fine zari and torni work was attached with katho, the wooden structure kept on the back of the horse. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a2144e76d99cf8770fff1c/1453463341428/Screen+Shot+2016-01-22+at+4.57.52+PM.png X Animal Decoration - Thada It was placed on the back with both its flaps suspended on either side of the horse’s body to support the saddle. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a2145f69492e98c1cb5836/1453463370908/Screen+Shot+2016-01-22+at+4.57.59+PM.png X Animal Decoration - Tang This broad leather girth went around the belly of the horse and was attached to the saddle from both the sides to keep it in place. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a2145f76d99cf8770fff47/1453463411272/Screen+Shot+2016-01-22+at+4.58.20+PM.png X Animal Decoration - Padgi/Pagodo Foot rest for the rider to climb on the horse. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a2147b76d99cf8770fff7c/1453463448134/Screen+Shot+2016-01-22+at+4.58.43+PM.png X Animal Decoration - Dhumki It was placed near the tail to tighten the rest of the saddlery with the body. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a2147e69492e98c1cb5888/1453463541329/Screen+Shot+2016-01-22+at+4.59.02+PM.png X Animal Decoration - Agoth Leather band that came around the chest and was attached with katho https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a21827c21b86f80de23c3c/1453463777317/Screen+Shot+2016-01-22+at+5.22.42+PM.png X Animal Decoration - Sanjh Since horses were commonly used for transport in the past, the leather artisans provided the saddles. This product is still being made today for horse owners in Kachchh and other parts of Gujarat. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a20479cbced627a8a1ca9f/56a218281115e0e2b8b011da/1453463817324/Screen+Shot+2016-01-22+at+5.22.51+PM.png X Animal Decoration - Sanjh Since camels were an important means of transportation in Kutch and among all cattle herders, there were numerous camel herding communities, so the need for saddlery and other accessories was prominent. Majority of these pieces today have been replaced with other textile materials. https://exhibitions-khamir.org/lifestyle daily 0.75 2016-01-22 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1fd7a3b0be3e164f132e9/56a1fd8a3b0be3e164f1331a/1453457278247/DSC_0096.JPG X Lifestyle - Chadai or Chadsi These were made from soft goat leather to allow folding and were structured into a flexible bucket. Chadai of various sizes were used in areas with scarce and shallow water. The wooden component that held the leather piece and kept its mouth wide open was made by the carved wood artisans. The stitched leather was turned inside out to ensure that water remained in contact with the smoother side of the leather. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1fd7a3b0be3e164f132e9/56a1fd8e05f8e2b14c7a9e1c/1453457311341/DSC_0120.JPG X Lifestyle - Noro Made out of thin leather, noro was a hidden waist belt used to carry coins under the shirt. When the Maldharis of Banni moved with their animals and travel for selling ghee or clarified butter, they would often wear noro as a pouch for keeping coins. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1fd7a3b0be3e164f132e9/56a1fd9e05f8e2b14c7a9e4f/1453457388975/Screen+Shot+2016-01-22+at+3.25.41+PM.png X Lifestyle - Sandhaari This vessel was made from goat leather. The skin was removed with a precaution such that it wouldn’t tear at critical joints and came out in one piece from the neck, back and limbs. The portion of neck was kept open as a mouth for the vessel and was closed with a leather string. The sandhaari was used by the Maldharis and other communities while traveling and feeding cattle. Due to its cooling properties, leather was considered an ideal material for water storage. The leather was turned inside out so that the cleaner and porous side of the skin was inwards which allowed water to seep out and evaporate, keeping the leather body and the water inside cool.A saandhaari could carry5-10 liters of water. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1fd7a3b0be3e164f132e9/56a1fd8f25981dbe850f0210/1453457463783/DSC_0127.JPG X Lifestyle - Sandhaaro Bigger than the sandhaari, the sandhaaro was also made from goat leather and was used for storing water in gatherings where larger quantities were needed. It could contain up to 15-20 liters. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1fd7a3b0be3e164f132e9/56a1fd8a05f8e2b14c7a9e0b/1453457571494/DSC_0023.JPG X Lifestyle - Kasiya Meghwar women wear a set of ivory bangles on their upper arm as a mark of marriage. The kasiyawas tied at the elbow to prevent these bangles from slipping when they move. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1fd7a3b0be3e164f132e9/56a1fd9105f8e2b14c7a9e21/1453457896509/DSC_0175.JPG X Lifestyle - Taldi or Taalki This circular piece of leather was kept under the head of a newborn baby to keep it cool and steady. On the sixth day after birth, when the baby is ritually welcomed in the family, a leather artisan would bring the taalki to the family and be suitably rewarded. The taalki is variously known as chhithri, khaladi, khadki and sagi by various communities in Banni. It is still commonly used across Kutch and sourced locally from the leather artisans. The family would apply oil on to it to keep the leather cool for the baby’s head. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1fd7a3b0be3e164f132e9/56a1fda125981dbe850f0239/1453457873769/Screen+Shot+2016-01-22+at+3.27.04+PM.png X Lifestyle - Netro This leather string with two wooden pieces on each end helped rotate the mandhdi, the stick for churning chhaas or buttermilk. Chhaas was, and still is, an important part of the daily diet due to the predominant milk economy of the region. It is also said to keep the body cool in the extreme heat. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1fd7a3b0be3e164f132e9/56a1fed0fd5d08e8ca123855/1453457923926/DSCN3556.JPG X Lifestyle - Cheliya This leather belt was wrapped around the neck of the pot and fastened against a pole or wall to keep it intact while churning chhaas. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1fd7a3b0be3e164f132e9/56a202611115e0e2b8afcf27/1453458061396/Screen+Shot+2016-01-22+at+3.49.59+PM.png X Lifestyle - Talwaar Mayaan and Patto A leather cover to hold the sword was an important part of the bridegroom’s dress and was fitted into a patto, a leather waist belt. Adorned with intricate zari work, the product was perfect for a wedding. It is still worn in Hindu weddings across Gujarat. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1fd7a3b0be3e164f132e9/56a1fd853b0be3e164f1330e/1453457986988/DSC_0012.JPG X Lifestyle - Ludaniya This set of two ropes with loops on both the ends was tied on the cradle, with one end held for rocking. It was made by twisting leather strings together to add to its strength. It was common across all Kachchi communities. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1fd7a3b0be3e164f132e9/56a1fd9825981dbe850f0228/1453457959995/IMG_2500_edit.jpg X Lifestyle - Mann This is an example of the amalgamation of two crafts - a terracotta pot with a piece of leather on its mouth. It is still a very popular form of percussion in Kachchhi folk music in the Banni region. The musician would select the desired pot from the potter and take it to a leather artisan for the leather piece, which has to be very thin and preferably of a young goat. He would sit with the artisan, adjust and tune it and then tie the leather piece accordingly. It produces a distinct echoed sound and has to be wetted from time to time. https://exhibitions-khamir.org/shoes daily 0.75 2016-01-22 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1db49a128e63a218b0490/1453453047414/DSC_0134.JPG X Shoes - Varolo or Jhalani Jooti Jhalani Jhootis are bedecked with intricate silver or zari work. Earlier Meghwars used real silver zari to adorn these shoes but these are now replaced with synthetic ones. The colorful torni border on the shoe was a favourite among the women. Both sides of the sole were etched by hand with floral designs and geometric shapes. These motifs varied according to the preferences of the community or the artisan. These shoes were popular amongst all the Kachchhi communities except the Rabaris, who preferred a more rugged style of work. In Banni, The leather artisan made a special pair of jhootis for the Maldhari bride. He would be welcomed with the shoes at the wedding to the beats of a drum and music. The shoes were blessed with offerings by guests and given to the artisan as a token of gratitude. Apart from this, he would be rewarded with either a baby cow, buffalo or goat, sometimes a camel. This system still exists in some parts of the Banni.   https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1f3bf2399a32e6172ae89/1453464526782/IMG_2509.jpg X Shoes - Varolo or Boot These shoes were made in vibrant shades of red, yellow and blue sourced from Khatri dyers, and ornamented with silver or zari work. Designs and cuts on the soles were differentiated by community. The Maldharis of the Banni region were the largest users of these.Along with the rest of the wedding attire, they would always keep these shoes safe as part of the wedding trousseau. The bridegroom’s family would bless the shoes during a wedding meal ritual. This is still prevalent in some parts of the Banni. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1db6dd82d5ee027b40323/1453454422715/DSC_0164.JPG X Shoes - Getli Joota Getli Jhoota were widely worn across Kachchh, but were most popular among men in the Banni region. These shoes were a dark brown or red, with minimal zari work. They were made from cow or buffalo hide which yielded thick leather well suited to endure the harsh terrain of Kachchh. Built to last, these shoes had thick soles that lasted three to four years of continuous use. Maldharis would often requested specific identifying features in their shoes. The soles had geometric cut outs which left distinct, identifying footprints behind. Other features might include a metal horse shoe attached to the heel, or pieces of leather sandwiched between the layers of sole to would make a distinct sound while walking.   https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1db661a5203cff0c335d3/1453454439072/DSC_0154.JPG X Shoes - Getli Joota Getli Jhoota were widely worn across Kachchh, but were most popular among men in the Banni region. These shoes were a dark brown or red, with minimal zari work. They were made from cow or buffalo hide which yielded thick leather well suited to endure the harsh terrain of Kachchh. Built to last, these shoes had thick soles that lasted three to four years of continuous use. Maldharis would often requested specific identifying features in their shoes. The soles had geometric cut outs which left distinct, identifying footprints behind. Other features might include a metal horse shoe attached to the heel, or pieces of leather sandwiched between the layers of sole to would make a distinct sound while walking. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1db7ad82d5ee027b40344/1453454750380/DSC_0169.JPG X Shoes - Setiyaro These shoes were simple and lightweight, with minimal design, and were used by the elder Maldhari men in Banni. Cutout motifs on the sole were present only if the user requested them.   https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1db74d82d5ee027b40332/1453454967006/DSC_0167.JPG X Shoes - Choti vala Joota These shoes were so named because of the distinctive tail at the back of the shoe. Because of the fine zari work, they were worn on special occasions by men in Banni. The pattern for the toe-cap could be pointed or rounded, depending on the wearer’s preference. The Mutwa Maldharis were particularly fond of this style.   https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1db511a5203cff0c3357e/1453454800572/DSC_0137.JPG X Shoes - Chhoti vala Joota These shoes were so named because of the distinctive tail at the back of the shoe. Because of the fine zari work, they were worn on special occasions by men in Banni. The pattern for the toe-cap could be pointed or rounded, depending on the wearer’s preference. The Mutwa Maldharis were particularly fond of this style. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1db83a128e63a218b0544/1453454875395/DSCN3550.JPG X Shoes - Chelar These were daily wear shoes with thin and lightweight soles. The distinct feature of these shoes was a gap of exact two figures between the phadiyan half sole and heel.The width of the sole was kept extremely narrow to maintain lightness.   https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1db72a128e63a218b0515/1453454980941/DSC_0166.JPG X Shoes - Sapaat or Chhappat The word ‘Sapaat’ means flat. The shoes were simple and had a rough finish. They were popular among middle-aged and older women in East Kachchh. Rounded toe caps were worn mostly by the Wagadiya Rabaris (sheep and goat herders), Durbars or “upper caste” Hindus and Gadhvi (cattle herders and farmers). Slightly pointed toe-caps were popular among the Ahir (farming) women. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1db7ba128e63a218b0532/1453454999745/DSC_0170.JPG X Shoes - Sapaat or Chhappat The word ‘Sapaat’ means flat. The shoes were simple and had a rough finish. They were popular among middle-aged and older women in East Kachchh. Rounded toe caps were worn mostly by the Wagadiya Rabaris (sheep and goat herders), Durbars or “upper caste” Hindus and Gadhvi (cattle herders and farmers). Slightly pointed toe-caps were popular among the Ahir (farming) women. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1db81d82d5ee027b4035a/1453455026531/DSC_0172.JPG X Shoes - Sapaat or Chhappat The word ‘Sapaat’ means flat. The shoes were simple and had a rough finish. They were popular among middle-aged and older women in East Kachchh. Rounded toe caps were worn mostly by the Wagadiya Rabaris (sheep and goat herders), Durbars or “upper caste” Hindus and Gadhvi (cattle herders and farmers). Slightly pointed toe-caps were popular among the Ahir (farming) women.   https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1db88d82d5ee027b40369/1453455055828/IMG_2496.jpg X Shoes - Sapaat These flat shoes were worn by women across the Banni region. The pattern varied from other shoes in rest of the Kachchh with surface zari work.   https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1db4d1a5203cff0c3356c/1453455097912/DSC_0135.JPG X Shoes - Boot These shoes with their distinct toe-cap and back tail were worn by Wagadiya Rabaris, the sheep and goat herders in the region of Wagad. The Rabaris had a taste for the rustic and the shoes therefore were heavy with a thick outsole with nails and rivets for decoration. They valued these shoes to such an extent that they often hung them safe on their walking sticks while on the move instead of walking in them. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1db491a5203cff0c33564/1453455143008/DSC_0131.JPG X Shoes - Kaunsla These shoes were accompanied with a ritual of bringing it to the family when a baby boy was born. Finely embroidered with zari and torni, these shoes were offered to the baby on the sixth day of his birth as a pair to be worn when he learnt to take his first steps. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a1db3b89a60afe613e0def/56a1db54a128e63a218b04c0/1453455157075/DSC_0139.JPG X Shoes - Kaunsla These shoes were accompanied with a ritual of bringing it to the family when a baby boy was born. Finely embroidered with zari and torni, these shoes were offered to the baby on the sixth day of his birth as a pair to be worn when he learnt to take his first steps. https://exhibitions-khamir.org/agrarian daily 0.75 2016-01-22 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a2039f2399a32e6172da3e/56a203af22482ece919589a1/1453458428480/DSC_0003+copy.JPG X Agrarian - Naadi/ Vartadi The product was used by the farming communities of Kachchh. Post harvesting, farmers would tie the crop yield onto the cart with the naadi and carry it to the storage areas. The skill needed to twist and braid leather has become relatively uncommon in present day Kachchh. Since the naadi was used rigorously, it needed to have enough strength and ability to last. To make it, two people would hold the pieces of leather at both ends while twisting and adding to its length. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a2039f2399a32e6172da3e/56a203af2399a32e6172da6b/1453458467268/DSC_0001.JPG X Agrarian - Jotar Various straps and fittings for carts used by Ahir farmers were made from leather. Jotar was a broad leather piece that was passed under the bull’s neck with loops on either end to attach it to a cart. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a2039f2399a32e6172da3e/56a203b322482ece919589ae/1453458496951/DSC_0177.JPG X Agrarian - Gophan This was used during the harvest season. The farmers used it to fling stones, producing a distinct loud sound that scared away birds. Gophans especially were exchanged for grains. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a2039f2399a32e6172da3e/56a203b32399a32e6172da7a/1453458546367/Screen+Shot+2016-01-22+at+3.53.36+PM.png X Agrarian - Chheeko This was hung beneath a farmer’s bullock cart to carry water pots, and was also hung on ceilings at home to keep food away from pests. Though it was often made from animal hair and other fibres, chheekos made from leather were especially prized. Numerous patterns and braiding styles for its strength and structurewere used. These have been replaced by other substitute materials in the present day. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56a2039f2399a32e6172da3e/56a203b94bf1182dd44fd08a/1453458522724/Screen+Shot+2016-01-22+at+3.53.47+PM.png X Agrarian - Supdo Supdo was made of dry grass stalks whichwere wrapped and stitched with goat leather. This technique resulted in an even surface that prevented the chaff or grains from getting trapped in gaps. It had raw and bold stitches all over to ensure tightness of the leather with the grass underneath. https://exhibitions-khamir.org/leather-1 daily 0.75 2016-02-12 https://exhibitions-khamir.org/bandhani-1 daily 0.75 2016-02-12 https://exhibitions-khamir.org/home daily 1.0 2016-05-25 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1bf183c44d82e440d9d18/1455553348476/ Home https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/570646f29f7266e11afb98e5/1460029179875/ Home https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56e11690d210b87a6971faa4/1457591978513/ Home https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5708955e4c2f85652de0a9f3/1460180334517/ Home https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1be641d07c0c8232c02ee/1455537770450/ Home https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1c00d2b8dde1a75dc780b/1455553272285/IMG_9693.jpg Home https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1c2db2eeb815e3bcb80c8/1455541304904/Bandhani-content-10.png Home https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56e1129504426223be302921/1457590935849/DSC_0235.JPG Home https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/570239de04426228e6c861f4/1459763683179/Splitscreen-dropcloth.png Home https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5706479f86db436541bc676c/1460029347177/Main-banner.png Home https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/570b6867b654f9c14fc11373/1460365424374/Tang-Ke-Sang-landing.png Home https://exhibitions-khamir.org/regions daily 0.75 2016-02-17 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c4b574ab48de157cea8460/1455731860784/ Regions - Abdasa https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b42537013b7fc681d675/1455731860784/Bandhani-content-62b.jpg Regions - Abdasa https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b425f699bb1fa9a8b81b/1455732372291/Bandhani-content-53.jpg Regions - Nakhatrana https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b42bf699bb1fa9a8b85b/1455732363738/Bandhani-content-71b.jpg Regions - Anjar https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b42fd51cd428ca55d347/1455732361520/Bandhani-content-49.jpg Regions - Mundra https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b43437013b7fc681d725/1455732366615/Bandhani-content-42.jpg Regions - Mandvi https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b436b09f95709d9e1de1/1455732084369/Bandhani-content-73.jpg Regions - Bhuj https://exhibitions-khamir.org/pottery-1 daily 0.75 2016-03-08 https://exhibitions-khamir.org/copper-bells daily 0.75 2016-05-25 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/574555feb6aa60c825348d86/1464161805621/ Copper Bells DEMO https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57454486859fd00ec4caf2f0/1464157479684/ Copper Bells DEMO https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/574566bd0442626ff0b5ef85/574566ce0442626ff0b5eff0/1464166096129/IMG_0116-2-r100_large.jpg Copper Bells DEMO https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/574566bd0442626ff0b5ef85/574566c10442626ff0b5ef9d/1464166096431/bells3_grande.png Copper Bells DEMO https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/574566bd0442626ff0b5ef85/574566be0442626ff0b5ef8a/1464166081849/bell5-fittingcover.jpg Copper Bells DEMO https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/574557e82fe13168113e867e/574557ea86db431e6d95e461/1464162284452/5-Studio+Firefly+copy+3.jpg Copper Bells DEMO https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/574557e82fe13168113e867e/574557ea746fb94b3cc59b50/1464162284749/5-Studio+Firefly.jpg Copper Bells DEMO https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/574557e82fe13168113e867e/574557e986db431e6d95e44d/1464162283299/5-Studio+Firefly+copy.jpg Copper Bells DEMO https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/574557e82fe13168113e867e/574557e9746fb94b3cc59b43/1464162283374/5-Studio+Firefly+copy+2.jpg Copper Bells DEMO https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5745544a4d088efc9e55ff0c/1464161482729/ Copper Bells DEMO This is the process for making copper coated bells. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57453f3af699bbc80b46eccd/1464155989968/Screen+Shot+2016-05-24+at+3.54.46+PM.jpg Copper Bells DEMO https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5745405d8259b59c4ba6f910/1464156255671/1-Bell_ecosystem+copy.jpg Copper Bells DEMO https://exhibitions-khamir.org/bandhani daily 0.75 2016-06-02 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56befa6527d4bddbb1725493/56befa8ef85082335f608fd8/1455356593210/Bandhani-content-36e.jpg Bandhani https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56befa6527d4bddbb1725493/56befa85d51cd4587e5cb368/1455356591670/Bandhani-content-36d.jpg Bandhani https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56befa6527d4bddbb1725493/56befa78f85082335f608fa9/1455356558992/Bandhani-content-36c.jpg Bandhani https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56befa6527d4bddbb1725493/56befa66f85082335f608f8c/1455356665287/Bandhani-content-36b.jpg Bandhani https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56befa6527d4bddbb1725493/56befa66d51cd4587e5cb33c/1455356549552/Bandhani-content-36.jpg Bandhani https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b436b09f95709d9e1de1/1455732084369/Bandhani-content-73.jpg Bandhani - Bhuj https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b43437013b7fc681d725/1455732366615/Bandhani-content-42.jpg Bandhani - Mandvi https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b42fd51cd428ca55d347/1455732361520/Bandhani-content-49.jpg Bandhani - Mundra https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b42bf699bb1fa9a8b85b/1455732363738/Bandhani-content-71b.jpg Bandhani - Anjar https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b425f699bb1fa9a8b81b/1455732372291/Bandhani-content-53.jpg Bandhani - Nakhatrana 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Bhuj https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b43437013b7fc681d725/1455732366615/Bandhani-content-42.jpg Nakhatrana - Mandvi https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b42fd51cd428ca55d347/1455732361520/Bandhani-content-49.jpg Nakhatrana - Mundra https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b42bf699bb1fa9a8b85b/1455732363738/Bandhani-content-71b.jpg Nakhatrana - Anjar https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b425f699bb1fa9a8b81b/1455732372291/Bandhani-content-53.jpg Nakhatrana - Nakhatrana https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b42537013b7fc681d675/1455731860784/Bandhani-content-62b.jpg Nakhatrana - Abdasa https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1ac6637013bd35964af66/1455533175897/ Nakhatrana https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1adaa4d088efd4cc129c2/1455534709713/Bandhani-content-53.jpg Nakhatrana https://exhibitions-khamir.org/bandhani/abdasa daily 0.75 2016-02-17 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1b18d37013bd35964c01f/1455534520813/Bandhani-content-67.jpg Abdasa https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1b03b3c44d82e440d685f/1455534165466/ Abdasa https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b436b09f95709d9e1de1/1455732084369/Bandhani-content-73.jpg Abdasa - 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Bhuj https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b43437013b7fc681d725/1455732366615/Bandhani-content-42.jpg Bhuj - Mandvi https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b42fd51cd428ca55d347/1455732361520/Bandhani-content-49.jpg Bhuj - Mundra https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b42bf699bb1fa9a8b85b/1455732363738/Bandhani-content-71b.jpg Bhuj - Anjar https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b425f699bb1fa9a8b81b/1455732372291/Bandhani-content-53.jpg Bhuj - Nakhatrana https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b42537013b7fc681d675/1455731860784/Bandhani-content-62b.jpg Bhuj - Abdasa https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1b9b737013bd35964dba9/1455536595171/ Bhuj https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1b9694d088efd4cc15270/1455536516447/Bandhani-content-70.jpg Bhuj https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1b9f87da24f8e47be40bd/1455536647666/ Bhuj https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1bb45356fb0ec92af63c8/1455536986893/ Bhuj https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1ba67d210b84d228bcfb1/1455536794196/Bandhani-content-77.jpg Bhuj https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1b90a01dbae6f07081e9f/1455536396668/Bandhani-content-73.jpg Bhuj https://exhibitions-khamir.org/bandhani/anjar daily 0.75 2016-02-18 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/56c1b54e1d07c0c8232be47e/1455535473176/Bandhani-content-70.jpg Anjar https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/56c4b40cb09f95709d9e1c15/56c4b436b09f95709d9e1de1/1455732084369/Bandhani-content-73.jpg Anjar - 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The printer sits near the burner for easy access to the wax https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5704b4d9c2ea51880828ece1/1459944253139/ X Art of Ajrakh Dr. Ismail Khatri demonstrates block making https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57053fff2fe1311c917f28a1/1459961875335/ X Art of Ajrakh Mohammed Siddiquebhai Khatri meets Mrs. Indira Gandhi at a convention of Indian handicrafts https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5704ba4786db430c87f4c1a6/1459944267187/ X Art of Ajrakh Gum extracted from the Acacia plant is ground and forms one of the raw materials used in the printing process https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/5704ff221d07c094a3a28ef7/5705197e7c65e41309432fac/1459960198395/ROOM1-60.png X Art of Ajrakh - Paraffin wax is most commonly used https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/5704ff221d07c094a3a28ef7/570500cfe321408a6315d454/1459960184455/ROOM1-58.png X Art of Ajrakh - Paraffin wax in Bhojpur and Mundra https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57054555d210b80d611f5310/1459963270262/ X Art of Ajrakh Preparation of natural dyes https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5704e79f20c647241f7af477/1459944297346/ X Art of Ajrakh A block printed floor covering with a seven trunked Airavat elephant indicating its use for the Jadeja Rajput family, West Kachchh https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/570539a48a65e245a3db1cd3/570539b01d07c047d446ae2f/1459960323367/ROOM1-64.png X Art of Ajrakh - Khatri Suleman with his batik print from the '80s https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/570539a48a65e245a3db1cd3/570539aa1d07c047d446abeb/1459960243036/ROOM1-62.png X Art of Ajrakh https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/570539a48a65e245a3db1cd3/570539a51d07c047d446abc0/1459960558413/ROOM1-59.png X Art of Ajrakh - Batik workshop in Mundra https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5704b87007eaa0af124f4dfa/1459944276711/ X Art of Ajrakh Indigo plant, Dhamadka https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5704b8edf699bbb46bef1df1/1459944271823/ X Art of Ajrakh Women from Dhamadka preparing indigo dyes https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5704faa24d088e777004fea0/1459944311992/ X Art of Ajrakh Women display their traditional Sirakh piece, Dhamadka https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/57064019b654f9d649c7c295/570640d740261decd40fe9d7/1460027714779/ROOM1-37.jpg X Art of Ajrakh https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/57064019b654f9d649c7c295/57064070859fd0b1d6878561/1460027863417/ROOM1-19.jpg X Art of Ajrakh - Traditional Riyal design https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/570545077c65e4bdb3602377/1459963203450/ X Art of Ajrakh A bedsheet dyed with natural colors from Dhamadka https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5705403d1bbee07655ad80db/1459962032504/ X Art of Ajrakh Mohammed Siddique Khatri and his son, Razzaque Khatri, speak to visitors at an exhibition in Delhi https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5704b9762eeb81f87d3db687/1459927457211/ X Art of Ajrakh https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/57053d804c2f85859eb406e3/57053d828a65e245a3db48fa/1459961245594/ROOM1-66.png X Art of Ajrakh https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/57053d804c2f85859eb406e3/57053d81e321403ea9769d2c/1459961229219/ROOM1-68.png X Art of Ajrakh https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/5704bacf22482ed593d37dc8/5704bb553c44d8b8f665a703/1459928168985/ROOM1-29.png X Art of Ajrakh - Dyers, River Saran, Dhamadka, early 1980s https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/5704bacf22482ed593d37dc8/5704badd27d4bd14a1d95497/1459928113252/ROOM1-27.png X Art of Ajrakh - Dyed fabric drying, Dhamadka https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/5704bacf22482ed593d37dc8/5704bad027d4bd14a1d95476/1459928102488/ROOM1-26.png X Art of Ajrakh - Sari being natural dyed https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5704f9b13c44d8b8f6669a4c/1459944315910/ X Art of Ajrakh Direct printing of bright pigments used to make a Sirakh. (Abdul Rehman Budha of Ajrakhpur) https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5704fb9840261d8463648c93/1459944371055/ X Art of Ajrakh Printing with chemical dyes, Bhuj https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5704fbe360b5e9537c9d2bfc/1459944600423/ X Art of Ajrakh Chemically dyed fabric ready for direct printing https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/570525061d07c047d445de0b/1459959747905/ X Art of Ajrakh The motifs of soldiers with weapons seated on horses, popular amongst the fabrics printed in West Kachchh, is indicative of their use by the Jadeja Rajput clans https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57053b8240261d34ef69c148/1459960773140/ X Art of Ajrakh Screen printing workshop in Dhamadka https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57053c27d210b80d611ef29f/1459960939681/ X Art of Ajrakh Hand printed Pado (skirt) patterns are very rare. Screen printed synthetic cloth has almost entirely replaced it. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5704fbbc40261d8463648d19/1459944414721/ X Art of Ajrakh Chemical dyeing at a workshop in Bhuj https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57053fa8044262c8d8724034/1459961796686/ X Art of Ajrakh Mohammed Siddiquebhai Khatri and his son, Razzaque Khatri https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/570541b17da24f233e973b10/570541b22eeb81a5c54a0e41/1459962303606/ROOM1-73.png X Art of Ajrakh https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/570541b17da24f233e973b10/570541b21d07c047d4470655/1459963019107/ROOM1-74.png X Art of Ajrakh - Traditional patterns revived by designers from Gurjari https://exhibitions-khamir.org/ajrakh/adapting daily 0.75 2016-04-07 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/57060c5a60b5e9d91efc7d78/57060c75859fd0b1d686c1a0/1460014734398/ROOM2-82.png X Adapting to the present - Community washing facilities https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/57060c5a60b5e9d91efc7d78/57060c67859fd0b1d686c185/1460014724676/ROOM2-80.png X Adapting to the present - New mosque, Ajrakhpur https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/57060c5a60b5e9d91efc7d78/57060c5b859fd0b1d686c168/1460014717504/ROOM2-83.png X Adapting to the present - Construction of new home, Ajrakhpur https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/570628ddf850825efa9da6de/5706290920c64764a01ecabb/1460021825011/ROOM2-91.png X Adapting to the present - Chemical dyeing workshop in Dhamadka https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/570628ddf850825efa9da6de/570628df20c64764a01ec9c1/1460021814246/ROOM2-87.png X Adapting to the present - Chemical dyes for "hairo" skirt design, Khavda https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57060a444c2f853343c076fb/1460017576766/ X Adapting to the present View of Ajrakhpur https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57060a034c2f853343c07636/1460017580979/ X Adapting to the present Dhamadka village in the aftermath of the earthquake in January, 2001 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/570622bce707ebd68d612651/1460019961864/ X Adapting to the present Washing at a farm in Dhamadka https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57061aca8259b55df9f8996c/1460018045914/ X Adapting to the present A drill is now used for blockmaking at Ajrakhpur https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/5706265c55598649bd37dd06/570627ca01dbaef8dbbf7ad3/1460021352881/ROOM2-95.png X Adapting to the present - River Saran, Dhamadka, 1990s https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/5706265c55598649bd37dd06/570627ca8a65e2f1970d80c7/1460021366539/ROOM2-97.png X Adapting to the present - River Saran, Dhamadka, 2013 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57062c2d40261decd40f97ba/1460022854198/ X Adapting to the present Block printer in Bela https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/570619d83c44d81ea744afda/1460017680383/ X Adapting to the present Block printers from Ajrakhpur exploring the use of a machine to treat the fabric with Harde, a practice usually done manually https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57062491c2ea51f17146b39b/1460020435691/ X Adapting to the present Children learn the art of dyeing when they are very young https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/57062a668259b55df9f8d73b/57062ea4859fd0b1d6873ee2/1460023086253/ROOM2-92.png X Adapting to the present - Block printers at a Delhi exhibition in 2011 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/57062a668259b55df9f8d73b/57062a683c44d81ea744eeab/1460023908445/ROOM2-93.png X Adapting to the present - Hundreds of tourists and designers visit Ajrakhpur each year https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5706191c27d4bd4fcb133947/1460017567094/ X Adapting to the present A bedspread's central pattern showing traditional Ajrakh motifs combined in a new way https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/57061c0037013b1279cb6429/57061d9437013b1279cb6954/1460018903939/ROOM2-89.png X Adapting to the present - Waste iron with gram flour and jaggery... https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/57061c0037013b1279cb6429/57061c014c2f853343c0b320/1460018892579/ROOM2-88.png X Adapting to the present - ... is used to create black dye https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/570624dcd210b8bf599f0fbd/1460020534553/ X Adapting to the present The making of a block requires great precision and concentration https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57061f3801dbaef8dbbf5a02/1460019977732/ X Adapting to the present A chemical dyes workshop in Mandvi https://exhibitions-khamir.org/ajrakh/khatris-community daily 0.75 2016-04-07 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703911fa3360c0321e426e0/1459869718501/ X Khatris & Community Block printing https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703d3d87da24f49b4d1dd42/1459868710154/ X Khatris & Community A Jat Maldhari couple; the Jat man is wearing a traditional Ajrakh dhoti https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703cd8140261d8834ac7f2f/1459867124492/ X Khatris & Community An elderly woman in Mundra wearing a veil cloth; the plain body with only a border design are specific to older women https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703d0da37013b88268eff52/1459868271578/ X Khatris & Community Jat Maldharis migrate all over Kachchh in search of water and fodder https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703985c59827e8400967df0/1459862870312/ X Khatris & Community https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703cf762eeb810fd931d087/1459867592119/ X Khatris & Community Jimmi, the screen printed design imitating bandhani. It is worn by women between 50-60 years old from the Leva Patel community https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703d49207eaa0844bfad2d5/1459868894357/ X Khatris & Community https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703973e7c65e42063fd7f22/1459869741011/ X Khatris & Community Fabric being washed in the river, Sindh. Source: Sindh Jo Ajrakh, Noorjehan Bilgrami https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703d967b654f98fadb3b047/1459870066177/ X Khatris & Community Millet design, mud resist printed fabric from Bela. It was used by the women of the Patel community as skirts https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703cc15356fb0751512f6c0/1459866746422/ X Khatris & Community Khatri Mohamedbhai Siddiquebhai printing the Morendi design, Dhamadka https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/570397e459827e8400967c5f/1459869746180/ X Khatris & Community Resist printing of Ajrakh in Sindh. Source: Sindh Jo Ajrakh, Noorjehan Bilgrami https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57038ec4b654f934aee4ad3f/1459869710410/ X Khatris & Community Traditional dyeing and printing work of the Khatris https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703c8753c44d887e7a3802d/1459869683089/ X Khatris & Community Printing of an Ajrakh bedspread; preparation of Ajrakh is a 12-16 step process https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703d783f85082e59fc0604c/1459869598151/ X Khatris & Community Traditional batik sadla worn by a woman from the Kanbi Patel community https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57038fd17c65e42063fd61de/1459870472871/ X Khatris & Community Dyeing https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703c7ea2b8ddeaf55873d92/1459869751387/ X Khatris & Community Dr. Ismail Khatri and Jabbarbhai Khatri display a bedspread with Ajrakh design https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703dc58d51cd4ef6f26994f/1459870876703/ X Khatris & Community Abdul Rehman Rasool Soneji, showing a piece of indigo from Sindh https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/570394d162cd94d3a2bdcf28/1459869735242/ X Khatris & Community Block printed fabric found at Al Fustat. Source: Asmolean Museum https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703c84be707eb5e3ea08f89/1459869677548/ X Khatris & Community Traditionally, Ajrakh is worn as a turban, shoulder cloth, and dhoti https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703cecfb6aa607cbb9ed8bf/1459867471260/ X Khatris & Community A Jat Maldhari groom with a traditional Ajrakh turban and shoulder cloth https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/570393fb07eaa0a58ed5d989/1459869731861/ X Khatris & Community Nothing has come to symbolize the Indus Valley Civilization better than the so-called Priest King from Mohenjo-Daro. The figure is wrapped in a robe-like cloth from its left shoulder under its right arm, and is covered in a trefoil design. https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703ce2522482e0a55d29b37/1459867280257/ X Khatris & Community Maldhari man wearing Ajrakh lungi and turban in Banni https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/5703dbbbf85082e59fc0883c/1459871017807/ X Khatris & Community Fabric from Bela showing the lavinginya design used by women of the Patel community https://exhibitions-khamir.org/new-page daily 0.75 2016-05-25 https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57458ebf4c2f85ae9b1aebae/1464176707503/ Copper Bells DEMO https://static1.squarespace.com/static/564ef110e4b01b73fde6f44b/t/57458d168259b59c4ba81b57/1464176772094/Screen+Shot+2016-05-24+at+3.54.46+PM.jpg Copper Bells DEMO